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Swiss designer and artist Karl Gerstner (1930–2017) had a significant influence on typography and the history and development of postwar graphic design. Designing Programmes is one of his most important and influential works. It was first published in 1964, and reissued in a new design by Lars Müller Publishers in 2007; both editions are now rare (the first almost completely unavailable). Now, Lars Müller reissues the book with its original design. Here, across four essays, Gerstner provides a basic introduction to his design methodology and suggests a model for design in the early days of the computer era. Gerstner's innovation was to propose a rule set or system defined by the designer that would determine all aesthetic decisions for a given product: for example, a logo might also function as a layout grid system or inspire a font. Today the book is especially topical in the context of current developments in computational design. With many examples from the worlds of graphic and product design, music, architecture and art, Designing Programmes inspires the reader to seize on the material, develop it further, and integrate it into his or her own work.
Designing Programmes: Karl Gerstner, Harald - Amazon Canada
Designing Programmes: Karl Gerstner, Harald Geisler, Jonas Pabst: In four essays, the author provides a basic introduction to his design methodology. Typesetting uses a font of the author's own design, a sanserif with warm character. Another area of disappointment is the picture quality: There are blurred photos,
Books on Design Theory, Aesthetics and History: Books and
Art Books and Museum Exhibition Catalogues on Design Theory, Aesthetics and History A New Program for Graphic Design is the first communication-design artist Karl Gerstner (1930–2017) had a significant influence on typography and the Designing Programmes is one of his most important and influential works.
Gerstner-Programm – Typographica
Gerstner Programm was designed by Karl Gerstner in an attempt to harmonize of several grotesque typefaces and his decision to reassess Akzidenz-Grotesk: set Gerstner-Programm apart, as does its design methodology: approach in his book Programme entwerfen (Designing Programs) from 1963.
Wim Crouwel Modernist: Frederique Huygen: 9789462261471
Typography: My Way to Typography (English and German Edition) . Karl Gerstner: Designing Programmes: Programme as Typeface, Typography, Picture,
Designing Programmes: Programme as Typeface, Typography - Ibs
as Typeface, Typography, Picture, Method è un libro di Karl GerstnerLars Muller Programme as Typeface, Typography, Picture, Method - Karl Gerstner -
Karl Gerstner: Designing Programmes: Amazon.de: Karl Gerstner
Karl Gerstner: Designing Programmes | Karl Gerstner | ISBN: In four essays, the author provides a basic introduction to his design methodology. Instead of set Designing Programmes: Programme as Typeface, Typography, Picture, Method.
Designing Programmes by Karl Gerstner (2007-11-14) - Amazon.com
Karl Gerstner: Designing Programmes: Programme as Typeface, Typography, Picture, Method · Karl Gerstner. Hardcover. $25.47 · Grid systems in graphic
Karl Gerstner | History of Graphic Design
Karl Gerstner was a Swiss designer, typographer, author and artist. In 1964, Gerstner wrote Designing Programmes which outlined his theories. A programme is a systematic approach to solving a problem which comes from an is broken down into san-serif, roman, german, some other or a combination of typefaces.
Designing Programmes Programme as Typeface, Typography
Shop for Designing Programmes Programme as Typeface, Typography, Picture, Method from Karl Gerstner's work is a milestone in the history of design.
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Karl Gerstner Designing Programmes ARTBOOK | D.A.P. 2019
Programme as Typeface, Typography, Picture, Method Designing Programmes is one of his most important and influential works. It was first published in 1964, and reissued in a new design by Lars Müller Publishers in 2007; both editions are now rare (the first almost completely unavailable).
Unjustified Texts: Perspectives on Typography: Robin Kinross
For twenty-five years, Robin Kinross has been making a case for typography as a matter of fine detail and subtle judgment. See this image . Karl Gerstner: Designing Programmes: Programme as Typeface, Typography, Picture, Method.
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